Wary Meyers City Posters

The first four posters from a total of 12 cities which I drew earlier this year for a travel series. As alluded to in the last post, we're super excited about these, in particular all the logotypes. Typography is a big love of ours, and when we can incorporate it into a project we're all the happier. So here are the first four. Coming soon are SF, LA, DC, and Dallas.
The posters are 19" x 24", printed on 100lb. smooth Bristol paper, signed. $55 each, in our shop
Wary Meyers NewYork

The New York poster owes a lot to the work of Milton Glaser and Seymour Chwast, with a little Tadanori Yokoo thrown in at the bottom. It started out as Massimo Vignelli Subway lines coming worm-like out of the apple, forming the frame, but later I changed the bottom lines to lox coming out of the bagel. But then we changed the line colors, since , although kind of funny, all-salmony didn't look that great as a border. And a lot of food worked its way in, mostly after drawing the bagel, then we had to represent the hot dog and pretzel, and all the eggplants and ugly tomatoes.

Wary Meyers Miami
Miami's logotype is based on Ettore Sottsass' Superbox wardrobes. No relation to Miami, but it was the shortest city name and I the boxes would be nice and bold. Plus I've always wanted to make my own Superbox, modified into a monogram. The view is an artistic-licensed South Beach, with a couple Stilt houses in Biscayne Bay, the Bacardi buildings, a little Mondrian, and the ubiquitous rooftop cranes. The two curved graphics at the corners of MIAMI represent the sun, while the two at the bottom are tanned boobs, in a blue cutaway-bikini-top.

Wary Meyers Seattle

Seattle is overall a little more sci-fi/Moebius influenced. We wanted the logotype to be sort of rock n roll, and I was listening to a lot of Paul McCartney and Wings at the time (and still) which may have influenced the design.  Coincidentally Wings' big US Rock Show kicked off at the Seattle SuperDome. On the right is a giant Peep looming behind two towering onions. Probably the most accurate rendering of anything in Seattle is the outline of Mt. Rainier in the background.

Wary Meyers London

London is my favorite. I love the red telephone booth type, and yet another Beatles reference in the Yellow Submarine spreading its colour along the Thames.

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